Music is deeply tied up with motion; seeing that in a machine is somehow satisfying. Soundmachines, from the enigmatically-titled Berlin studio TheProduct*, is an interactive physical installation made from optical turntables. By moving the “tone arm” – really in this case an optical sensor attached to an extended mount – you can change rhythms and sound sweeps.
We’ve naturally seen many visualizations, tangible and digital, that make loops into wheels. But it’s worth noting the particular connection to a kinetic experiment by The Books’ Nick Zammuto from the film earlier this week. In fact, my one criticism of this piece is that the rhythms are so regular. Some syncopation in a machine like this would be not only pleasing, but immediately visible to the eye and therefore understandable. Perhaps even decoupling the wheels from the motor could allow a user to experiment with sound. That doesn’t mean you have to go from minimal techno to irregular chaos, but there’s quite a lot in between.
That’s not to take away from the impact of this piece, and in particular, the beauty of its installation. The presentation in an iconic object is a message in itself. And the circle remains the ideal design for a looped rhythm, embedded as it is in the repetition we perceive in our world.
http://www.the-product.org/soundmachines
More details:
Three units, which are resembling standard record players, translate concentric visual patterns into control signals for further processing in any music software. The rotation of the discs, each holding three tracks, can be synced to a sequencer.
The Soundmachines premiered on the Volkswagen New Beetle stand at the IAA motor show in late Summer 2011. In cooperation with the sounddesigner/producer Yannick Labbé of TRICKSKI fame, we developed three unique discs, each controlling one track of an Ableton Live Set exclusively made for the Event. The show was supported by a set of realtime generated visuals, running on a 25m wide LED wall.
One/One oneone-studio.com
TheProduct* the-product.org
Client
Volkswagen
Agency
Vok Dams, Hamburg
Sounddesign/Producer IAA
Yannick Labbé yannicklabbe.com
Special Thanks
Matt Karau
matt.karau.com
Andreas Schmelas invertednothing.com
(See also a compelling-looking visual collage. It’s supposed to be set to John Cage’s “First Interlude,” but because of copyright concerns, is instead (arguably) set to Cage’s 4’33″. Let’s hope they don’t get sued for that.
TweetI’ve been creating some music with Tom Carpenter. He’s the man behind the wonderful Analogue Solutions synths and modules. He did an unexpected “nice” for me and printed my alias The Horrorist on his upcoming Spring Reverb modules. So I guess I broke some new here… yeah AS has a new Spring Reverb module coming up. If you follow Tom on Facebook you can also see his new very nice looking Telemark Keyboard. The first song we recorded is called “Forever for You” although we could change it to Cold Wave.. what do you think Tom? My friend Gabri is also doing a mix and there will be some other tracks. Samples coming soon…
“Your name is imortalised on the new spring reverb circuit board. hopefully it will be released in a few months!” – Tom Carpenter
For more info: thehorrorist.com and analoguesolutions.org.uk/v2/
Related Posts:A great and rare overview of the Cwejman’s take on random generation. Cwejman makes some of the best modules on the market: their designs are so well thought out and sound/build quality is so high. Jason Baker does an excellent job explaining its functions and quirks.
many many thanks to my friend Ann Schmitz for creating this beautiful slideshow video for "sometimes we forget" from "memento"
Read the full story @ KVR Audio
Read the full story @ KVR Audio
Read the full story @ KVR Audio
Read the full story @ KVR Audio
Read the full story @ KVR AudioMusicannews just posted this video of Rob Papen describing his new synth Blade. The synth uses a a “harmolator” to control timber and movement in a sound. Each note is displayed as a dot on an X/Y windows. You can modulate movement with a controller and sync movement to your DAW. Blade also has a sequencer and other standard parameters like LFOs.
According to an email I got from Rob harmolator gives you "direct access with the 9 dails (to change the harmonic content) ... And of course this XY pad can dynamically change the harmolator using the 9 modulation targets."
So, the harmolaator section that lets you dial up harmonic waveforms on a single oscillator then “ripple” through them and change the balance of odd and even harmonics. There is a spread function for thickening up sounds and a sub-oscillator. There is an easy page as well.
The synth should release in late February or early March as they are finishing up the bank manager. Blade will have an intro price of $119 for the first month then will be $139.
I’m personally excited about this synth as it looks like a great instrument for performance with the opportunity to add motion and visualize the motion.
Links
Mark Mosher
Electronic Music Artist, Boulder, CO
www.ModulateThis.com
Official Web Site: www.MarkMosherMusic.com
Listen/Download Albums: www.MarkMosherMusic.com/music.html
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